A soporific speech is likely to ——-

When we want to mean a government by the richest class, we use the term——-

Narrative of the Life of Frederick Douglass, An American Slave is a/an ——

Langston Hughes urges to ——

How many seas must —- sail before she sleeps in the sand?"

Totto-chan : The Little Girl in the Window by Tetsuko Kuroyangi is a/an ——.

I shall help you provided you obey me. The underlined word is a/an——.

Were he not so deeply committed to the field, he................... a career in finance.

Brojen Das used to suffer from seasickness ............

Behula is a .......... character of Manasamangal, a medieval epic.

We should not make more delay,else we will miss the train.' This is a ——.

Read the following passage and choose the best alternative (A, B, C, and D) to answer questions:

In recent decades, debates in the arts and humanities have often focused on the idea of authenticity—a term whose meaning proves elusive the moment scholars attempt to define it. Museums, critics, and audiences frequently praise artworks they believe to be "authentic," yet the standards for deciding this are unclear and constantly shifting. A painting once thought to be culturally pure may later be revealed as a hybrid creation shaped by global influences, thereby unsettling the very notion of what constitutes originality. Consequently, authenticity is now seen less as a natural quality of an artwork and more as a story people tell about it.

This shift is evident in the controversy surrounding artistic imitation. In the past, imitation was considered inferior-a weak copy of real creativity. But today, many scholars argue that imitation can be a powerful artistic tool. It can help artists bring old traditions back to life or challenge accepted cultural ideas. When an artist imitates a traditional style not simply to honor it, but to question the beliefs hidden within it, imitation becomes a form of critique rather than a sign of weakness.

These debates connect to a larger idea: cultural memory. Cultural memory refers to the shared symbols, customs, and stories that help societies understand their past. Artistic works, even those accused of imitation, play a role in shaping this memory. But cultural memory is not fixed; it changes as people reinterpret the past. When artists use elements from history, they do not simply copy them. They reshape them based on modern concerns and emotions. In this way, artworks act like mirrors that both reflect and distort the past, reminding us that our ideas of heritage may be carefully shaped rather than natural.

Therefore, today's art world is filled with tensions: between originality and imitation, between preserving what is old and transforming it, and between nostalgic admiration ofthe past and critical questioning of it. These tensions help create the meanings found in modern art—not as absolute truths, but as ongoing debates shaped by history, society, and imagination.

According to the passage, the idea of authenticity is difficult because__.

The passage suggests that authenticity is ___.

In earlier times, imitation was mostly seen as_.

Modern scholars argue that imitation can.

Cultural memory refers to___.

According to the passage, cultural memory__.

A suitable title for this passage would be.

জীবজগতের জন্য সবচেয়ে ক্ষতিকারক রশ্মি কোনটি?

ফোর্ট উইলিয়াম দুর্গটি কোথায় নির্মিত হয়?